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If you write romance novels, your audience has some expectations (some of it even unconscious) about the way the book should look. Much like the cover advice I’ve given in the past, you need to find a balance between creativity and meeting expectations. If you really want to use a script font like Comic Sans for the content, you can (but please don’t). That includes decisions about the typeface you pick for your book font. You’ll hear me and many other publishing industry experts point out that independent publishing and print-on-demand mean you own the entire process of bookmaking. While most popular with romance writers, Sabon is also terrific as a title or chapter title font when paired with body fonts like Garamond or Baskerville. The text is simple, yet elegant and legible. Sabon – Widely regarded as the best font for romance novels, Sabon is a serif typeface based on Garamond.It has many of the same elements as Baskerville, including the thickness and balance, with a slightly more modern look. I think of Baskerville for fantasy and literary fiction, while Garamond hits me as more of a sci-fi or thriller type of font. Garamond – I like Garamond for fiction too.Thanks to its clean appearance and fine balancing of thick and thin lines, Baskerville remains one of the easiest-to-read printed fonts. Developed in the 1750s, Baskerville is a serif font that’s been actively used for hundreds of years. Baskerville – Baskerville is at the top of my list for fiction books.I love this font for nonfiction that still has a casual or lighter subject. The major difference to my eye is a slightly smaller character with thicker lines. This is another older style, Serif font with many similarities to Baskerville. Caslon – You’ll find Caslon listed as “Adobe Caslon Pro” often in your word processor.If you’re writing nonfiction and want to capture the feeling one might get reading a blog from your iPad, Century would be my first choice. Century – Century is a great font that bridges the gap between serif and sans serif typefaces.When you’re making your own choices, be sure to keep in mind common fonts for your genre and your own book layout.
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We’ll end today with my top fonts for fiction and nonfiction works. In fact, avoid web-based and Google fonts they’re not designed for print. Yet I would never print a book in Trebuchet. I just think it’s a nice, clean font that looks good on my screen. But could you imagine reading Lord of the Rings in Courier? I doubt anyone would get past the first chapter. In context, the right font goes unnoticed. And last we have Courier, a classic ‘typewriter’ font, that you wouldn’t expect to see in a book but is great for newspapers.Įach of these three has a specific purpose in mind, by design and historical use. Then we have Interface a great web font that is also used for magazines and textbook printing. Baskerville is among the best print fonts for fiction novels. The text on your page must convey your words, meet your reader’s expectations, and be easy to read.Ĭompare these samples of the same copy with differing fonts:Įach of these three fonts is great for printing-but each has a specific kind of printing they’re used for. The best fonts for books will be invisible. Too many fonts can be jarring for your reader. There’s no one answer to how many fonts you should use in a book, but if you’re putting your book together and you’ve got more than six different fonts for the interior and cover tone it down. Alongside those, you could use unique fonts for your front matter, header/footer content, and loads of other kinds of text-section titles, footnotes, dedication, etc. Then you’ll have your primary font for the body text (like Baskerville) and another stylized font for your chapter titles (like Bigshot One).
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For example, you might use a block-style font for the title (like Gotham) and a serif font for the subtitle and other cover text (like Caslon). If you go pick up any book off your bookshelf, you’ll likely be able to find five or six different fonts in use.